This year, we created a fun time lapse video of the installation of Buckminster Fuller’s Fly’s Eye Dome. The video was picked up by the New York Times, and can be seen here:
The 24-foot, monohex, geodesic Fly’s Eye Dome, patented in 1965 by R. Buckminster Fuller as a futuristic, low-cost shelter, was one of the renowned inventor/architect/environmentalist’s most iconic structures, and one that he wrote would “be highly efficient in its use of energy and materials.” He envisioned the structure would be used as a beautiful, fully-equipped, air-deliverable dwelling machine that would weigh and cost about as much as an automobile.
Time lapse videos are fun, and this one is particularly cool. Hope you enjoy it.Read More
A few years ago, an eternity in internet years, there was a lot of chatter about “lifestreaming,” which basically meant providing a non-stop voyeuristic window into the minutiae of your daily life. People could “subscribe” to you and see whatever you were doing. Some folks took it to extremes and even filmed themselves while asleep.
Mercifully, the concept petered out under the weight of its own stupidity, but in some ways it is still with us in the form of twitter, facebook and location-based services. A recent change to facebook enabled users to broadcast the news articles they were reading, the music they were listening to via Spotify and, of course, the places they visited. In my personal facebook stream, I notice that only a few friends are doing this (see how I avoided saying “taking advantage of” just there?) and it got me wondering why.
One of the oft-spouted tenets of social media-dom is the importance of transparency in all interactions, whether on the personal level or among businesses. For individuals, tending to one’s “personal brand” has become a cottage industry online. But what does that really imply? A brand, as I define it, is what surrounds a sales pitch and differentiates you from the other guy. Companies go to great lengths to define their brands in the minds of consumers using vivid language, imagery and experiences, all in the service of selling you something. Positive attributes are emphasized and negative ones are never even contemplated. Coca Cola might have a tough time squaring the immeasurable enjoyment and life-altering experiences contained inside one of their cans with all that pesky teeth rotting and onset of diabetes.
So, then, the same must be true of one’s personal brand, right? Which, of course, gives the lie to transparency online. Everyone’s streamed online life is full of glamourous trips, sunset photos, magical dinners, songs from obscure Norwegian bands and moments of clarity elucidated in some Paulo Coehlo quote. No arguments with spouses, frustration with the kids’ poor behavior or disappointment at being passed over for that work promotion by the kiss ass who goofs off all day.
We live in a start-up culture where we put on our sales face all the time since we never know who might be watching. Woe to he who slips up and posts the drunken rant. There is no delete button on the internet, as we all know. Those of us who choose to live some portion of our lives online are all selling ourselves to some unknown potential client. All of which, I suppose, reinforces the point I have been making on this blog and in public speaking events since I got into this game: there is about an eye dropper’s amount of difference between our online lives and our offline ones.
I recently asked someone I have never actually met, but “know” on Facebook, (another weird by-product of the internet, but maybe just an updated version of the pen pal) what had motivated her to stream her Spotify selections. She confessed to me that she self-edits and doesn’t share EVERYTHING she’s listening to in her news feed. She leaves out songs that might be seen as offensive or “trashy.” Of course she does. No one will ADMIT to listening to Air Supply. (I have no idea if she does or not, but it was the lamest thing that occurred to me as I write this. Hey, I know what you’re thinking but I don’t listen to Air Supply, either.)
I hear many rail against the TMI culture of the internet using the tired argument that no one really cares about every detail of your life. I might argue that the REAL problem is not too much candor, but not enough.
Would love to hear what you think. Please post your thoughts in the comments section.Read More
In the past couple of weeks, two very rich studies focusing on the online behavior of young people have been released. One of them is entitled “Why parents help their children lie to Facebook about age,” co-authored by four of the leading thinkers on online privacy, access and the roles kids play on the internet.
The other is from the Pew Internet and American Life Project and is entitled “Teens, kindness and cruelty on social network sites.”
I want to focus a bit more on the first study first, and leave the second study for another blog post. I would urge you to click on both links and peruse each of them, as they are rich in substance and fact.
Children under 13 are supposedly protected by COPPA (Children’s Online Privacy Protection Act) a Clinton-era law passed in 1998 meant to keep marketers from targeting or collecting information about kids. The law went into effect in 2000, when the internet was a very different place before the explosion of social networking sites, Skype or even GMail. Not that anyone has probably read them, but all of these services have lengthy terms of service agreements which, among lots of other things, are supposed to prevent kids from signing up for them if they’re under 13.
In reality what is happening is the very thing that COPPA was meant to prevent: kids are signing up for facebook and other services in droves, very often with their parents’ consent and, in many cases, their explicit help. Many parents are either unaware of COPPA or, worse yet, think that the 13-year old ban is more of a guideline and not a hard and fast regulation. A typical parental response to helping their kids get around the ban goes something like, “My child is mature enough to handle it.” To a large degree, parents feel that they should be the ones to decide how their kids participate online.
Fair enough. But the real takeaway from the report for me was the one I suspect is doing the most long-term damage. When parents help their kids get around these restrictions, they are normalizing lying. As danah boyd, one of the authors of the study, recently revealed on NPR’s On the Media, “I was aghast to watch how often law enforcement comes in during assemblies and tells kids that in order to be safe online, they should actually lie about their location. So kids are hearing messages all around them that lying is both the way to get access and the way to be safe online.”
Clearly the COPPA mandated requirements are inadequate for today’s online landscape. So, then, what is the solution to keeping kids from being marketed to or otherwise tracked online by advertisers or others? What are some of the consequences to lying either to get online or lying once you’re already there?
boyd further notes that “…a huge number of kids actually say they’re from Afghanistan or Zimbabwe, which are the countries alphabetically at the top and the bottom of the possible countries you could be from.” It’s kind of a funny anecdote, but one that, I think, has far-reaching implications.
What do you think of all this? Have you helped your kids circumvent any ToS agreements like the ones on Facebook, GMail or Skype? Is it really no big deal? Please leave a comment in the comments section. I’m curious to hear what you have to say.Read More
The comparisons between traditional TV and online video never stop. Some common comparisons are:
Online will disrupt and eventually kill TV.
TV will never die because of viewer habits, the user experience and their entrenched business model.
Blah blah blah…on it goes. Who cares? Not the point of this post.
What is syndication? In a nutshell, it is where the real money is in TV. As a general rule, when a half-hour show produces 100 episodes, roughly 5 seasons, it can then be sold into syndication and shown off-network.
For example, Seinfeld aired as a first run show on NBC. Now it airs off network on hundreds of local stations around the country. That’s an example of syndication. But Seinfeld was always popular and made a lot of people associated with it extremely rich. A better example of the money-making power of syndication success might be a show like Star Trek, which only aired for 3 seasons in the mid-1960s and was not all that popular at the time. Nearly 50 years later, however, we’re still following the same bold voyages of the starship Enterprise.
Star Trek might be the original example of the “long tail.”
All this occurred to me when I read about the demise of “Diggnation.” Online video is often about immediacy and is often unscripted. (I am generalizing to make a larger point.) Online video shows also seldom adhere to a strict 30-minute length. Yet at its peak in around 2006, Diggnation was arguably the most popular show online and as of this writing, they have produced over 300 episodes. (They will cease production in December 2011.)
So, what happens to all that inventory? Who is going to go back and watch an episode from 2007 speculating on the launch of this new device called an iPhone? From a business standpoint, these episodes have no more value than a CNN half hour about a snowstorm in Tennessee in 1987. Archival? Sure. Revenue generating? Nope.
When I think about the long term viability and the business model for online video, this strikes me as a major issue that needs to be sorted out. If the “real” money in television is in syndication, where will it come from in online video? I don’t have the answer, but I also don’t really hear the question being asked.
What do you think? Is this an insurmountable block for online video producers and other content creators?Read More
In the world of social networking, Facebook continues to be the dominant player, but two things happened rather quietly last week that show that the media coverage surrounding online is remarkably similar to the hysterical media that covers politics.
The advent of 24-hour television news has created a gaping maw that must be filled. Whether it gets filled by accurate information is not always a primary consideration. The competition for attention, and ratings, is vicious and the press that covers online and social media trends is no different. The clamor to be first can sometimes trump the responsibility to be right or, in this case, trump any inclination for trend analysis.
So, what am I talking about? About a year ago, Facebook went head-to-head with foursquare in the location-based “check-in” space. The media spin was that foursquare, the scrappy start-up, would be eaten alive by the Facebook monster, especially considering fb had a gargantuan user base of 600 million subscribers. Funny thing- it didn’t happen that way. Facebook has scrapped the “Check in” feed from its mobile apps and interface.
Man bites dog.
Groupon, and other daily deals services that continue to pollute the Internet, was also in the crosshairs of the Facebook assassin when they rolled out “Facebook Deals” a little over four months ago in a few select cities. The media take was the same, and so was the outcome. “After testing Deals for four months, we’ve decided to end our Deals product in the coming weeks,” quoth the unnamed Facebook spokesperson.
Not exactly steamrolling the competition.
I have seen similar media hyperventilating over Google Plus in recent weeks, with the obligatory “Facebook killer” headlines all over the place. I am willing to bet that if you asked 100 non-tech people what Google Plus is, 99 of them would stare back at you blankly.
This post is not to critique facebook’s marketing choices or whether Google Plus will make Facebook look like Friendster in a few months (but their marketing sucks and Google Plus won’t). No, my real point is to counsel temperance when every shiny new things comes along. The online world is fueled by innovation and there are winners and losers, but it takes some time to shake out.
I’m reminded of the lyrics to “Black Crow” by Joni Mitchell:
”Diving down to pick up on every shiny thing
Just like that black crow flying in a blue sky.”Read More
I finally got around to getting an iPad2 about a month ago and it has replaced my laptop, for all intents and purposes. My workflow is centered around my desktop, and the laptop had become a big, clunky travel workstation that I realized I was mostly using for email and reading.
As many have already written about at length, the iPad is a wonderful consumption device, maybe not so much for content creation. For someone who travels a lot, it’s a great thing to not have to lug a bunch of different books around, or perhaps make an impulse buy based on a conversation or a quick browse through a Hudson News.
But how about newspapers?
Reading the morning newspaper is lifelong habit critical to my sanity. No matter where I travel, I will always read the NY Times as well as a copy of, as my father used to call it, the local blat. To their credit, the Times has worked as hard, if not harder, than any other old media outlet to try and keep their offering current, relevant and, above all, profitable to a new generation of readers or an old generation, like me, who might consume the paper in a different way.
Lots of virtual ink has been spilled over whether the Times app is any good or whether their paywall idea is sustainable or not. I don’t review apps and I don’t know if the paywall gag will work or not. For me, I don’t use the app for two simple reasons:
1- Holding an actual newspaper in your hands is not incidental to the absorption of its contents and,
2- I simply cannot shake the nagging feeling that I am missing something when I read the paper via the app versus the actual paper. And after a side-by-side comparison, it turns out I think I’m right.
Taking the above points in order: With any web interface, so much development time is devoted to UI and UX (user interface and user experience). You may have a great product, but if one or both of those elements are lacking, you’re kind of dead in the water. I have never ONCE heard anyone talk about the UI or UX of a newspaper, so let me be the first. Well laid out newspapers, like the Times, Washington Post or WSJ, will guide the readers’ eyes to the most important stories. Over time, you “learn how to read” a newspaper, and you figure out the best way to scan the content. But perhaps more importantly, during this process of scanning, every once in awhile you will come across something that you might not ordinarily have read. The physical act of holding a paper, however, offers the reader the chance to see the paper in its totality, something apps cannot really match. I cannot prove this, but I believe that being exposed to two facing pages of text and photos has an affect on the way readers take in the information. To me, it’s like the difference between information and knowledge.
With regard to point 2 above, I spent four days in Boston last week reading the Times app in bed upon waking up, and then buying a copy and reading it over coffee. I don’t know if its for editorial reasons or for reasons of space, but there is a lot missing from the app that you can find in the paper. Despite the categories that attempt to mirror the analog reading experience (Top News, Opinion, Sports, Arts, etc.), the app takes some getting used to, particularly the way a story from yesterday’s paper might hang around in the app for two days or more. While it is indisputable that a printed paper has no chance keeping up with fast moving events in other time zones like the Middle East revolutions, there is a sense with the app that I have only experienced with certain cable channels: “Is this new, or is this just new to me?” It seems like a hedge for a news app to tout its immediacy, but also keep old bananas on the shelf.
Anyone who knows me or reads this blog knows that I am no Luddite. But I’m keeping my newspaper subscriptions for as long as they’re still around.
What do you think? Are apps just as good as the printed paper or magazine? Am I just being stubborn?